Half Pudding Half Sauce: 05/01/2017
In the rolling farm country, so characteristic of the outskirts of Philadelphia, stands the house of Mr. and Mrs. A. J. Drexel Paul, a testimonial to the merging of pasture lands and formal gardens, country living and paneled English rooms. Situated at Radnor, about twelve miles from Philadelphia, Field Hill’s one hundred and twenty-5 acres are a part of an intensive property, a few of which land originally belonged to Mr. Paul’s family.
White wood entrance gates swing invitingly between stucco posts lined with roses.
From the entrance itself, guarded by a pair of cream-coloured stucco gates, crowned by white woodwork, and coated with pink roses, the driveway is edged by broad paths of well-mowed lawn.
Sheep graze placidly on broad expanses of meadow close to the driveway.
Beyond the grass runs an extended hurdle fence, behind which, on one side, sheep graze on the broad expanse of meadow. On the opposite aspect, are fields of corn and different crops, with the identical hurdle fences separating them from the lawn and drive. It is as though farming were an intimate a part of the place, yet with ample amenities noticed to keep it in its proper relation to the rest.
The hurdle fences surrounding the pastures are interrupted by tree-trunk panels for riders.
At handy intervals in the fence, the entire trunk of a tree has been placed. This makes it doable for riders to leap in and out of the fields, and, at the identical time, sheep or crops aren’t allowed to spill over from the place they are confined.
Entrance of the Georgian Colonial house, designed by the late Charles Platt, architect.
The first glimpse of the house shows it nearly hidden by elms and white pines which develop on either aspect of the strategy, as well as by field bushes and three oak timber planted straight in front. The place a secondary drive crosses the primary entrance, the fields have given solution to extra formal gardens.
The exterior of the home is Georgian in feeling, with that specific quality so characteristic of its architect, the late Charles Platt. Its cream walls are of stucco, utilized thinly sufficient to disclose the stone beneath. The pitched roof is shingled. The sash home windows are shuttered; on the ground ground, in white, and, on the higher floors, in darkish inexperienced. The front door is in the course of the central section, with service wing to the best, and living room wing and gardens on the left.
Two English lead eagles stand guardians immediately outdoors the entrance door. Inside, a vestibule bears immediate witness to a number of the pursuits of the homeowners. Two Audubon engraving of startled owls cling on the walls. A foot scraper and an extended cane rack, filled to overflowing, make provision for nation walks. A broad hall runs straight from the entrance door to lengthy French home windows directly reverse, opening onto the broad west terrace. The parquetry ground is in a V design here as throughout the rest of the downstairs. The partitions are white like the woodwork and their unadorned simplicity is only damaged by several distinguishes portraits-one by Francis Drexel, of Bolivar, one by Peale, and in addition one painted by Sully, of Mrs. James W. Paul, Mr. Paul’s grandmother.
The dining room, with covers laid for dinner, is both formal and pleasant. The paneling of subdued inexperienced, inset with panorama in tones of green, gold, and yellow, were brought over from Ireland.
On the proper, the dining room is paneled in a subtle gray-green. The romantic landscapes had been, with the paneling, from an original room, and got here from Ireland. They seem particularly acceptable here, the place there is a lot that is harking back to life within the more seasoned searching nations of England and Ireland. The Sheraton dining table and the chairs, covered in cream leather-based, the polished mahogany sideboards, the English candelabra of delicately cut glass pendants, all make a composite picture of great distinction. There’s warmth and dignity here, and an ideal background for hospitality.
English deal paneling lines the library. A examine by Joshua Reynolds hangs just above Mrs. Paul’s collection of crystal displayed on a table.
Opposite the dining room, throughout the identical corridor, is the fantastic library containing many first editions and sets of Dickens and Thackery that would make even the most blase of bibliophiles envious. The room was deliberate across the books and the Deal paneling which covers three sides of it got here from England. Throughout from the French windows, curtained in peacock blue silk, the bookcases reach to the ceiling. The tawny coloring of the Oriental rug merges into the golden brown of the woodwork. All through the house are grouped various collections of decorative objects in crystal, carnelian, jade, rose quartz, and different minerals. These have been assembled by Mrs. Paul and by her mother. Mrs. Alexander Biddle—arranged together, they would make a really massive group however Mrs. Paul has chosen fairly to break up the gathering into its separate types, letting every preserve its individuality. It has been most ingeniously accomplished to heighten the decorative worth of each piece and of each group when seen as an entire.
Mr. Paul’s workplace has bookcases, ceiling excessive, forming an alcove for his mahogany desk with purple leather prime. Aiken hunting prints full it.
Instantly inside the entrance door, the stairway goes up to the right, whereas to the left is one other long, broad hall which starts from the east-west corridor and ends within the living room, going through south. The first door, on the left, from the central a part of the house, opens into Mr. Paul’s office. This is a protracted, narrow room, with bookcases working to the ceiling forming, at the end, a type of alcove for the handsome mahogany desk, with purple leather-based prime. A long Jacobean desk, in oak, stretches along one facet of the room. On the opposite, between two home windows, is an expansive dark blue leather-based sofa. The white partitions are lined with slim, horizontal looking prints by Aiken, their topics being as acceptable on this room as is their unusual and putting form.
Subsequent to Mr. Paul’s study, still on the left of the hall, is a Louis XIV dressing room, where pink taffeta curtains, painted furniture, and a common air of golden festivity seem, strangely enough, totally at residence among their extra dignified English neighbors.
Opposite, glass doorways open into the game room. Here, against pine paneling, a collection of prints have been hung. Some are by Aiken and others by John Deal Paul and C. Loraine Smith. Long windows open out on three sides of the room, giving it an air of spaciousness and mild. A rose-coloured Oriental rug lies on the tiled ground, and for those who usually are not playing any of the various video games obtainable there are comfortable chairs and a deep sofa, in rose chintz. In one corner a bridge desk is arrange, in one other a backgammon table beckons invitingly and, most unusual perhaps in contemporary America, is the felt-topped mahogany table set for sniff. Its ivory dominoea are face down in a wheel-shaped design, as decorative when they don’t seem to be in use as they are conveniently accessible for an immediate sport.
The living room has oak paneling brought from England. The gold leather-based display screen, 9 toes excessive, has subtly painted Chinese language scenes. Wax candles are used within the chandelier and the candelabra.
As though to heighten its dramatic impact by its very location, the spacious residing room discloses itself at the very end of the corridor. The entrance is at the west end of the room, and it necessary to stroll effectively into the center of this facet to get the total impact. It’s because at the back a gigantic Chinese display, with delicate designs on a somber ground, prolongs the suspense. As soon as it been passed, however, a way of serenity and dignity makes itself felt. The wealthy oak paneling is just broken by the French home windows. Moderately as though to temper the sunlight and less formal out-of-doors, nonetheless, these home windows have been traced in flowing blue brocade which hangs from ceiling to ground. The Oriental rug has an all-over pattern in soft blues and golds. In the center of the room, hangs a shimmering Waterford chandelier, which Mrs. Paul has had the imagination to keep from wiring in order that, at evening, wax candles whose uneven gutterings make a consistently changing play of mild on the glass. On the mantel, the Waterford is repeated in a pair of candelabra.
The final tone of the room is Chinese Chippendale, although different sorts of furnishings have been used as effectively. A golden sofa, with Chinese language design in the most delicate petit point, vies for curiosity with the tall Chinese screen which is painted leather. In contrast to the somber design on its back, the aspect facing the middle of the room is in gold, with amusing scenes drawn in opposition to it in soft blues, reds, inexperienced, and whites.
A nook of the residing room, seen above, with Chinese Chippendale sofa in golden needle-point. The portraits are of Mr. Paul’s grandfathers.
There are four generations of Paul portraits hung towards the oak background. The two Paul nice-grandparents had been painted by Francis Drexell, the artist member of that distinguished family. Curiously sufficient, it was not till two generations later that the households were mated by marriage, as the current Mr. Paul s mom was a Miss Drexel. The 2 grandfathers, Mr. Paul and Mr. Drexel, were painted by Benjamin Constant and their portraits grasp reverse one another. There is also a portrait of the Paul grandmother, done from a miniature by the late Julian Storey. Mr. Paul’s father’s portrait, also painted by Storey, hangs at one finish and his wife’s at the opposite. Finally, between the French home windows grasp the two Laszlo portraits of Mr. and Mrs. A. J. Drexel Paul. This isn’t completely an image gallery, however, for though filled with tradition, this room stays very alive and lived in. There are several extra sorts of Mrs. Paul,s collections here. On one desk is the carnelian set and, on another, the rose quartz assortment. These are made contemporary by being made a part of each day residing, for among the many objects collected are ash trays of the particular mineral and silver match containers, set with the stone of that set. In countless Lowestoft bowls are roses, columbine, or different flowers in season—always roses, for these are Mrs. Paul’s special and favorite flower. There are even bowls of dried rose petals on piano and table; in truth, all over the place there may be proof of the superb rose backyard of the luxuriant and well-tilled cutting garden.
Mrs. Paul’s oyster white bedroom has a mantel of pickled pine mahogany desk with a Sheraton gold-framed mirror.
The west terrace, reached by the hallway running from the entrance to again, is flagged, and furnished with umbrellas, chairs, and tables for dining. Observe the big pots of oleanders.
The living room provides onto the south terrace, an intimate flagged outdoor sitting room with the trunks of two apple bushes rising up through its flooring relics from the previous orchard on whose edge the house was constructed. Forming a sort of wall, with a path in the center, is some of the luscious field for which the place was named. To the left of the terrace, stretched a broad lawn, edged by white pebble path and shut in by undulating masses of box. On the left, the the driveway, shuts out any view of the entrance of the house. Operating along its full length is the field, planted with lavish hand.
The field backyard landscaped for greens and white impact with sweet-william and alysum.
A view from the rose garden via the a wrought iron gate, by Yellin, to the box backyard.
At the tip of the backyard, a raised terrace is massed with white geraniums in pots and white oleanders. Two fountains trickle from either aspect of the gate within the excessive wall, which divides the green backyard from the rose backyard. The wall and garden had been designed by Charles Keen, and the wrought-iron gate, like all of the wrought iron which is to be seen on the place, was designed by Yellin.
Picture Title: Mrs. A. J. Drexel Paul Residence
The rose backyard, with arborvitae hedge, rotates box-edged rose beds in wheel design round a fountain-pool.
Once in the rose backyard, it’s apparent that this was what was hidden from the driveway by the arborvitae hedge. Immediately opposite the gate are chairs, a desk and gayly striped umbrella. In the middle is a blue pool with pink geraniums on its edge, forming a low background for the lead kid’s figure which is the fountain. In 4 alcoves, minimize into the hedge, are marble pots on pedestals about five feet high full of fuchsias. The field-edged rose beds unfold out in wheel design from the spherical pool in the middle. The one pink roses used have been placed in two lengthy beds against the wall, separating this from the primary backyard. For the rest, there are countless varieties in different shades of pink, yellow, and white, with the most profuse bloom.
One of many English lead figurines positioned at intervals in the midst of the box, and white candy-william beneath.
At the end of one of many white pebble paths which run between the beds is an opening in the arborvitae hedge by means of which is reached the swimming pool, surrounded by lawn and apple bushes. Past, down a lilac-bordered path, is the reducing garden. Protected by one other hedge of arborvitae, it is on two levels, with a cold body running the width of each terrace. On the upper terrace, brick paths divide the eight beds, in 4 of which are roses of various varieties from these in the garden correct. In the other beds are columbine, delphinium, and chrysanthemums. Within the higher chilly frame, there is among the candy-william used in such profusion all through the backyard, in addition to pansies and johnny-bounce-ups and small white clapboard tool homes, with green trim, just outdoors the hedge, make it possible to conceal all the mandatory instruments on the very edge of this lovely garden.
Another lilac-edged walk, informally planted and merging with the lawn, leads again to the south terrace exterior the house. From right here, a path runs around the home to the west terrace the place there are teams of iron chairs and comfy, gaily colored out of doors furniture. Two yellow umbrellas shelter tables used for dining.
The formal herb garden, of the west terrace, has a vast number of herb-beds traversed by paths of shredded cedar.
On the far end of this terrace, which runs the total width of the central wing of the home, is that delight of all gourmets, a effectively-stuffed herb garden. Although simply accessible to the kitchen, it is developed as a decorative backyard. Two sides are enclosed by high partitions, lined with euonymus and one corner nestles fortunately into a nook of the home. On one side is a excessive hedge of box; low box surrounds every mattress within the formal design, and there are occasional bushes of box and hawthorn to offer top.
To understand the standard of Mr. and Mrs. Paul’s place is to know the private interest and energy which they have put into it. This is not any casually run house or backyard, but an entire entity, conceived with actual imagination, worked over with affection, and maintained with scrupulous care. It has that heat, rich feeling which outcomes from its owners’ lavish use of plants, paintings, furniture, and equipment. Nevertheless it additionally has an air of tempered good style and restraint within the dealing with of details. It is, indeed, a welcoming house—hospitable in the very best tradition of a country gentleman.
The interiors have been a trendy setting for household antiques, sporting art, and noteworthy paintings. When not involved in monetary matters, A. J. Drexel Paul would probably be discovered taking part in polo, fox searching or pursuing different sports. Though the house itself had in depth injury after a fire within the late 1940’s, it was preserved and remodeled, lowered in dimension and made extra manageable for a trendy fashion of residing.
1948 aerial displaying the burnt out shell.
1950 aerial exhibiting the altered stays
BING VIEW at present.
Under are renderings and images of a project for the Paul’s designed by Mellor & Meigs around the same time the Charles Platt design was built. The mission is labeled “Woodcrest Farms”. In line with the Athenaeum of Philadelphia the house was demolished stone island online sale and property integrated into the St. Davids Golf Club. The stables and polo barn have been constructed. I can not find something extra on the house itself.
Image Title: Storage and the House Venture: Paul, Nation Home Near Philadelphia, PA Shopper: Paul, A. J. Drexel, Esq.
Image Title: First Ground Plan
Picture Title: Second Floor Plan
Image Title: Barn & Polo Stable Project: Paul, Barn & Polo Stable, Radnor, PA Consumer: Paul, A. J. Drexel, Esq.
Image Title: Exterior: Overall: Project Paul, Barn & Polo Stable, Radnor, PA Client: Paul, A. J. Drexel, Esq.
BARN AND POLO STABLES FOR A. J. DREXEL PAUL, ESQ.RADNOR, PA.
Mellor & Meigs, Architects
Image Title: Exterior: Barn Yard: Project Paul, Barn & Polo Stable, Radnor, PA Shopper: Paul, A. J. Drexel, Esq.
A. J. Drexel Paul constructed his personal 25-room house in 1914, “down island”, the place most of the summer time colony was situated. Each summer season, Isabel Biddle Paul would pack up the couple’s two sons and two daughters to start the lengthy trek to Maine from Philadelphia.
“We would take a train to Bath, then a ferry across the river there, and then we’d hook up with another practice, to Rockland, Maine. We would hop on a ship – properly not precisely hop – then we’d come to Islesboro, the place we have been met by carriage after carriage and taken to the house. We got here with five or six of the help and about 10 Vuitton trunks.” Source
The A. J. Drexel Paul Cottage Islesboro, Maine
Named for its situation on the crest of the Radnor Hills, “Woodcrest” was the property of James W. Paul, Jr.father of Ellen Drexel Paul, born 1880, A. J. Drexel Paul, born 1884, and Mary Astor Paul, born 1889.
Lengthy before the Kennedy Compound in Hyannisport grew to become so stone island online sale well known, there have been many families with multiple massive homes on their nation estates, typically sharing a few of the service outbuildings and recreational facilities. This was true of the Pauls at “Woodcrest”. After the death of his father in 1908, Paul and his new wife, Isabel Biddle, took possession of the acreage north of Higher Gulph Highway. Supply
In 1915, each Isabel and A. J. Drexel Paul and Ellen and Paul Mills built new houses on the estate. “Box Hill” contained state-of-the-art heating and plumbing programs. In that very same 12 months, the Mills constructed the Georgian Colonial “Woodcrest Lodge”, designed by Charles Barton Keene, at a cost of $40,000. Mary Paul and her new husband, Charles A. Munn occupied the big Tudor fashion major home.
It appears to have been the customized at the time in the Pauls’ social stratum to be in fixed motion. Summers had been spent in Newport or Narragansett Pier, Rhode Island, Dark Harbor, Maine, or in the case of Mary and Charles Munn, along with his mother in Manchester, Massachusetts. Winters typically found the couples in Palm Seashore or Aiken, South Carolina.