Krokus: “Unique Album Classics” Collection Evaluation
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Krokus: “Unique Album Classics” Collection Evaluate
Up to date on December eleven, 2017 Keith Abt moreI’ve been an obsessed hard rock/heavy steel fan and CD collector since the early 1980s. If it is acquired a great guitar riff and attitude, I am in.
Contact Writer Krokus can be next 12 months’s Def Leppard.
— Krokus supervisor Butch Stone to Circus Journal, September 1983 KROKUS – Authentic Album Classics 3-CD set (Sony/Legacy/Arista, 2012)
Swiss rockers KROKUS by no means fairly lived as much as that slightly grandiose managerial prediction proven above, but they managed to carve out a reasonably first rate profession for themselves during the big ’80s metallic boom. American audiences probably remember them best for 1983’s Headhunter album – a derivative-however-enjoyable slab of early ’80s steel which included the enduring radio staple “Screaming within the Night.” Krokus was considered a “new” act at the moment, however Headhunter was actually their seventh (!) release – which meant the band already had a fairly deep catalog of pre-Headhunter albums ready for curious fans to unearth them.
Based as a progressive rock act in Switzerland in 1975, Krokus’ first two data – 1976’s self titled debut and 1977’s To You All – barely made a splash, even of their homeland. A stylistic change in direction of AC/DC styled laborious rock on 1978’s largely ignored Ache Killer album (aka Pay It In Steel) did little to reverse the band’s waning fortunes. It wasn’t until Marc Storace – a singer originally from the tiny Mediterranean island nation of Malta, who’d been kicking around the European rock scene because the late ’60s – joined the fold in time for 1980’s Metal Rendez-vous that things started falling into place for Krokus. Storace’s distinctively gritty and highly effective vocal type – a mix of Bon Scott’s pub-rock swagger and Robert Plant’s arena-rattling wail – match the band’s sound like a glove. The remainder, as they say, is history.
I used to be a informal Krokus fan throughout their temporary early ’80s heyday however they hadn’t been on my radar for a long time — till I lately scored a bargain-priced CD of their biggest hits, which renewed my curiosity in the band. In search of to re-acquire some of their albums that I owned in my youth, I got here throughout a cool Krokus field set that was launched in 2012 as part of Sony/Legacy’s Authentic Album Classics stone island jacket that changes colours reissue series. The box options Marc Storace’s first three albums with the band – 1980’s Metallic Rendez-vous, 1981’s Hardware and 1982’s One Vice At A Time – each in neat little cardboard slipcovers meant to mimic the looks of the unique vinyl LPs. The set was an absolute steal for ten bucks so I snapped it up and I’ve been going down Steel Reminiscence Lane with the trio of CDs all week long.
“Metallic Rendez-vous” (1980)
I’ve owned Metal Rendez-vous on vinyl since the mid 1980s but since I now not have a turntable to play LPs on, I hadn’t heard it in dog years. Due to this fact, revisiting this album after more than two a long time was like getting a letter from an old buddy. Steel Rendez-vous is about as delicate because the automobile collision on its entrance cowl, kicking off nicely with the uptempo “Heat Strokes” earlier than sliding into second gear with “Bedside Radio” and the heavy-obligation “Shy Child.” “Tokyo Nights” is a mid-tempo track that begs the audience to sing along, nearly like an early blueprint of “Screaming in the Night.” “Back Seat Rock N Roll” brings issues to a satisfyingly pummeling close.
Comparisons to AC/DC are unavoidable when listening to Metallic Rendez-vous (and certainly, most of the band’s catalog) as a consequence of Storace’s Bon Scott-esque vocals and Krokus’ propensity for utilizing groan-worthy sexual double-entendres and puns in their lyrics and music titles, similar to their Aussie heroes. What Krokus may lack in subtlety, they greater than make up for by way of catchiness and sheer quantity!
My brother owned Hardware on cassette back in the day and it was a frequent player back then, but I’ve never owned a replica myself, therefore I hadn’t heard it in at least a quarter century. The rumbling “Celebration” gets things off to a moody begin before kicking into “Simple Rocker,” which salutes the band’s fans clad in leather-based jackets, lined with patches of “these heavy bands.” A particularly nasty groupie is immortalized in “Smelly Nellie,” and it would not take much imagination to determine what the charming “Mr. Sixty nine” is about. Contemporary audiences will probably be shocked at a line in album-nearer “Mad Racket” in which Storace barks a couple of rival, “He’s a transvestite — he’s a fag!” (I do not suppose he is speaking a few cigarette…) Of the three albums included on this set, Hardware was my least favorite, in spite of some decent tracks. It just doesn’t have the fire of the other two albums that bookend it. .
“Rock City” (1981)
“One Vice at a Time” (1982)
One Vice at a Time was released in 1982 – a yr previous to Krokus’ “breakthrough” success with Headhunter – and was possibly their hardest-rocking (and in addition most derivative) album to this point. It kicks off with one in all Krokus’ best-known pre-Headhunter songs – the oh-so-delicate “Long Stick Goes Boom” (hint: it’s not about a stick of dynamite…), which rips off AC/DC much more blatantly than normal. (Which is basically sayin’ something!). Krokus continues to mine The Thunder From Down Beneath for inspiration for the remainder of the album, especially on tracks like “Bad Boys, Rag Dolls” and “Down the Drain.” Seriously of us, they owe Angus and Malcolm Young some royalties for this one! Regardless of its near-whole lack of originality One Vice is still a fun pay attention, especially when it’s cranked up to appropriately obnoxious quantity levels.
“Lengthy Stick Goes Increase” (1982)
So no matter happened to Krokus anyway
After the platinum success of the Headhunter album, Krokus’ fortunes took a reasonably swift downward turn. The band made the poor resolution to abandon their headbanging, pedal-to-the-metal approach on follow up albums like 1984’s The Blitz and 1985’s Change of Tackle, favoring a slicker pop-metal sound aimed at American rock radio and MTV. The metallic fraternity mentioned “no thanks” to their new route, labeling Krokus sell-outs and bandwagon-jumpers. Storace left the band after 1988’s barely-noticed Heart Attack and Krokus break up up after one album with a new singer (1990’s Stampede).
Storace returned to the fold a few years later for 1995’s profitable To Rock Or To not Be reunion album, and the band has been active ever since – even when membership has been one thing of a revolving door from album to album. Krokus’ most latest CD, Dirty Dynamite, was launched in 2013 they usually stay a popular draw on the live performance circuit, especially in Europe.
I hope I’ve piqued your interest on this underrated band. If you are keen on checking their material out for yourself, this Original Album Classics three-CD set would be a wonderful place to start out your journey. Now, all I have to do is pick up Headhunter on CD and I’m all set…
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sendingAuthorKeith Abt 2 years in the past from The Garden State
Hi Leo – thanks for stopping by. Will try “Dynamite,” you’ll be able to never have too many AC/DC ripoffs, haha
Leo 2 years in the past
I found your site right now through Steve Hoffman and really enjoyed it. I even have the Krokus trinity (with four) and hadn’t heard them in more than 20 years. The time has come. Cheers from Brazil
Another AC/DC’s Bon Scott era rip-off is Dynamite – https://www.youtube.com/watch v=UJ-uQQw04CY
AuthorKeith Abt 2 years ago from The Garden State
Cool, Fox – hope you dig these Krokus information. Rock on!
Fox Music 2 years in the past
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