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The Grammy Museum Is L.A. Stay’s Christmas Present To Metropolis Of Angels

The Grammy Museum: Exploring and Celebrating A Legacy of Great Music” is the signage that greets you while you enter the museum.

Garment-Dyed Cotton Nylon Poplin Overshirt In Black“Music can create robust emotions of belonging and connection…” Daniel Cavicchi, Curator, Songs of Conscience, Sounds of Freedom, Grammy Museum. “This energy has been harnessed throughout American History to gather people and communities collectively round shared identities and values.”

L.A. Stay’s Grammy Museum is an interactive playground utilizing expertise that facilitates the expertise of music in so many ways. It’s as a lot or more a playground than it is a museum in the standard sense of encased historic objects. It was constructed using no taxpayer or metropolis money, somewhat by utilizing funding provided by AEG and their generous company sponsors, according to Tim Leiweke, AEG Pres. and CEO.

Paige Donner: Why is a museum that showcases music utilizing the instruments of know-how good for Los Angeles

Mayor Villaraigosa: That is the epicenter of music and leisure, the cultural capital of America and possibly the world. It is here the place we’ve got a very sturdy expertise sector and an entertainment sector and where the two should converge.

What this museum says is downtown is back. That we have received a heart and a heart to downtown, that music and the Grammy Museum will be the heartbeat of that center, that heart.

Tim Leiweke, Adam Carolla, Britney Spears, Councilwoman Jan Perry, Mayor Villaraigosa, L.A. Stay’s Tree Lighting Ceremony Dec. 4th, Grammy Museum opens Dec. Sixth at L.A. Live in downtown L.A.

Enter the Museum and go straight to the top ground. There, you may be greeted with the Crossroads Exhibit, an 18 foot digital touch-display screen desk that provides up 160 genres of music. You take heed to the music with the headphones connected to the table and permit your tastes and interests to information you.

Grammy Museum, L.A. Dwell
On the third flooring, be sure to spend a while within the Museum’s recording studios to play with laying down your personal tracks, your own rap, recording your personal singing voice and remixing all of that. The second ground’s Songs of Conscience, Sounds of Freedom present set up is the museum’s rotating set up.

The Grammy Museum: It’s play time!
Paige Donner: Are you able to touch upon the position expertise plays on this museum

Ted Tanner, AEG, Exec. V.P.: What we actually needed to do right here was connect to the younger individuals. Young people are very facile with know-how, handheld gadgets, downloading music, textmessaging, emailing. What we needed to do was use these types of expertise to achieve the children and make the music and all of the deep academic value of this museum extra accessible to them.

They don’t desire to just go see artifacts such because the cape John Lennon wore or Elvis Presleys’ letter. They wish to go interact with the music. They need to search out out the place did rap come from What are the roots of that music {If you are you looking for|Here’s|If you’re ready to learn|Here is|For} more info on Stone visit our web site. So that’s what this is all about.

PD: Was that a directive from AEG
TT: Yes. We hired the architect that designed the Spy Museum back in Washington, Patrick Gallagher. The Spy Museum is a very interactive museum; one in all the primary museums to actually use the interactive platform as one of the key means of presenting data. And that is what this is all about.

It is about presenting data. It is about storytelling. And for us it was very much a component of constructing it younger folks’s expertise day-after-day. I’m bringing my daughter’s American History class right here in January.

There’s a great history lesson right here, too. When it comes to how our culture from the civil warfare to the revolutionary conflict to the Vietnam struggle and the protests from social justice standpoints from labor and race relations, our exhibit Songs of Conscience, Sounds of Freedom, is extremely meaningful. Look what occurred with the Dixie Chicks. Music touches us in so many ways. This museum is going to connect with folks in an extraordinary way.

Robert Santelli, Executive Director, The Grammy Museum
[Previous life: Rolling Stone Journalist]
We’re really bullish on the thought of getting folks concerned in music. More than just being passive listeners of music.

Paige Donner: How have you made the Museum appealing for teenagers and youth particularly
Santelli: We now have made a very severe try and make this museum educationally related for teenagers. Sometimes it is exhausting for teachers to work in popular music or folks music or even classical music in a classroom with all of the demands that they have on them as teachers.

So what we have executed is we have worked with teachers — we’ve a fantastic trainer advisory board — and our instructional division, headed by Melissa Runcie, Instructional Mgr.has actually regarded on the California State customary and we have built packages and exhibits that meet or exceed the state’s requirements.

So if a trainer comes to our museum and comes to one of many applications that our museum sponsors, she or he can be most assured that an academic expertise is what their kids are going to have.

On Saturday mornings we’ll be offering lessons for kids and parents to come and learn how to play guitar or keyboards. We’ll be doing applications at night with guest guitar players, guest musicians coming in to give classes.

PD: Does the Museum permit interactivity
Santelli: We’re actually pushing the concept that you, as a music fan, whether or not you are 9 or 19 or 59, can have the chance to search out your inner inventive muse and play with it. Should you say to your self, I’d like to play guitar then you should. It doesn’t mean that while you play guitar it’s important to be on stage. You possibly can play for yourself or for your loved ones and get inventive satisfaction out of that.

Hopefully while you undergo a few of these exhibits, you may get a sense of that. If you’re feeling like, “I always wished to learn how to play guitar,” and for those who turn out to be a member of the Grammy Museum, you’ll take a number of the lessons. We have already got over a hundred packages scheduled for 2009. And lots of them are education applications that deal with studying about music, the playing of music, instruments that you’re going to be in a position to use, learn how to play a guitar, a keyboard, a bass, whatever.

Paige Donner: Why is it good to get a museum membership
Santelli: Like all great museums, we’ll have a membership base. The reason why that is essential is as a result of members will have the ability to get first dibs on the curated concert series we’ll be producing, lectures, symposia, movie series, Q&A with artists, unplugged performances with artists which will take place in our 2nd floor, 200-seat Grammy Soundstage. So with only 200 seats, the opportunity goes to go quick until you are a member. It is a superb incentive to turn into a member of the Grammy Museum, to have entry to these items before most people does.

PD: Are there other museums like this within the nation
Santelli: There’s the Rock’n’Roll Corridor of Fame in Cleveland where I labored. There’s the Expertise Music Project in Seattle where I used to be after that. Add to that the oldest one which is the Country Music Hall of Fame and Museum in Nashville. These are three other massive music museums in America. There’s additionally a Woodstock museum that simply opened on the Woodstock music festival site in upstate N.Y. There’s one in London going up called the British Music Experience which opens in March that AEG helps develop. I am going there next.

Ken Viste, Chief Curator, Grammy Museum
My role is primarily as a facilitator and storyteller right here. My job was to seek out the materials to tell these nice tales. That is the whole lot from the audio to the video to the artifacts, all the texts, all the pieces. And guiding the event of those interactive experiences now we have all through the museum.

Paige Donner: Can you illustrate with an instance, such because the Spoken Phrase Exhibit
Ken Viste: The try here was to get some variety of the forms of issues folks may hear. The principle goal here is it is a music museum however the Grammy’s have fun, truly, all recorded sound.

These days, comedy, documentary, it is all video now. However for about one hundred years these things was recorded audio. You bought a document of a comic, for example. So we wished variety here: you have received a poet [Langston Hughes], a comedian [Bob Newhart], a superb orator and chief [Martin Luther King] after which you’ve got bought Henry Rollins who’s an ideal spoken word artist in the fashionable-day.

PD: How did you come to make the choices you did given there was a lot to choose from
KV: Range of genres, viewpoints and eras. That’s the filter. But even while you do that you must say, Oh boy! There’s about 50 issues so what do I choose

Typically it is a gut-check and you say that is the highest quality we have bought here. Or sometimes it’s simply an historic crucial like this is simply something we must have. For example, I knew I was going to have a speech on right here and it was just about a no-brainer what speech had to go on there [I have A Dream, MLK].

However it is also an attention-grabbing story as a result of that speech was recorded and released business by Motown Information. So there’s even a again story that’s unfamiliar to us and type of stunning. It is one thing we’re so used to hearing or listening to parts of but at some point it was placed on a record and launched.

We can be rotating in new exhibits. Some from different services and museums and some from our own growth. As a young museum, a whole lot of what you draw from are loans. So the Rock-n-Roll Corridor of Fame, the Country Music Hall of Fame, they’re sensible collaborators with us and helped us out tremendously.

All those pieces will rotate again out and we would like to try this as a result of it is a modest footprint. It isn’t as huge as the Rock-n-Roll Corridor of Fame which is filled with artifacts. We now have some nice contexts by which to function them and we have the crucial from the diversity of music that we acknowledge in here to rotate them out on a fairly frequent basis. It is an thrilling thing to do.

PD: Music is such an alive medium, how often will the exhibits be refreshed
KV: I believe the first thing we’ll in all probability hear is “The place is my favourite X or where is that this artist ” or such and I assume the reply we at all times have for that’s, the exhibits are the place to begin. The exhibits rotate by means of fairly typically. We’ll change the content material there, however what actually rotates listed below are the tales we inform through our academic and our public applications.

So you may say, Where’s the large Band Swing Exhibit Effectively, Huge Band Swing options by quite a bit of those exhibits however sooner or later I can nearly guarantee you that there will be some kind of program devoted to that and that is going to be your real opportunity to dive deep in. And hopefully, maybe, you have never even listened to the music. You hear it here, you get engaged and that program comes along and also you say, Nicely, I am going to check that out, that looks sort of enjoyable!

Paige Donner: What are three guideposts you used for curating this inaugural exhibit
Dan Cavicchi, Curator, Songs of Conscience, Sounds of Freedom [day job: Prof at Rhode Island College of Design]
DC: Music shapes Id. Music brings individuals collectively. Music crosses boundaries.
Since Yankee Doodle was first sung in this country, our music has formed folks’s identities. The truth is, music is deeply woven into the fabric of American Society. It sparks awareness and shifts perspectives.

Music gives the voiceless a voice. It offers them a option to exercise their rights in a democracy. Give it some thought. Disenfranchised youth are likely to make really loud music!

This exhibit shouldn’t be all about protest but additionally about affirmation, the nation, patriotism. It’s to remind people of what all of us share. For instance, our ritual of singing the National Anthem earlier than sporting occasions. The place did this ritual spring from And but it is part of our tradition.

Check out this bamboo guitar here: That is from the recent Reside Earth concerts, which took place concurrently on all seven continents. Those concert events continued the legacy of a collection of benefit concerts creating consciousness about points, together with the “No Nukes” concerts by Musicians United for Safe Power again in 1979, Reside Aid in 1985, and Farm Aid, which started in 1985 and remains to be going strong. Issues turn out to be essential and then people make songs about them; Sometimes, though, the alternative happens, where songs and music events lend consideration and significance to social issues.

Paige Donner: What kind of outreach and involvement are you offering the neighborhood of Los Angeles with the Grammy Museum

Lynne Sheridan, Public Programs Manager [formerly with Bob Dylan’s office, NYC]
LS: Public packages for the museum will likely be after hours and will start between 7:30 and 8:00, most likely twice per week. It is going to vary month to month. We plan to have 50-75 packages offered to the public and to members per yr and most of them will take place in our 200-seat Grammy Soundstage Theater. Lectures, concerts, interviews, townhall meetings, movie screenings.

A townhall meeting will probably be a public discussion board by which to talk about controversial points. For instance, the state of the music business now. We’ll work with Dan Cavicchi, the curator of Songs of Conscience, Sounds of Freedom, to provide you with some sizzling matters which are to be discussed…like a roundtable dialogue with key people.

We would like the neighborhood to come back out. Lots of our applications can be free. Lots of them, Museum members will get first dibs comparable to 72-hour advance notice for reservations before most people.

PD: What are some packages we will search for in your programming schedule
LS: Our Night With Program with Brian Wilson is scheduled for January 15th. That’s a paid program but we need to make it reasonably priced. We wish folks to have the ability to enjoy the museum, come all the way down to our program, and feel like that is part of, and in, their community. This is the place they can come for leisure that is fascinating and original and informative.

The Target Terrace upstairs and the Foyer downstairs can accommodate food and drink, in any other stone island hat blue case the museum can be open after hours for certain applications however not for catered events.

We are hoping to collaborate with the downtown L.A. Library for performances and different packages. We’re huge on collaboration here. I’ve met with a bunch of the opposite facilitators here in city and we’ve supplied to share our area and work with them on packages for the general public. For example, we put on three packages at Skirball Cultural Middle including the recent Bob Dylan exhibit there.

We’re working with the N.Y. Performing Arts Library at Lincoln Heart to present some jazz talks the place we go to NY and do one-on-one interviews with jazz greats – we’ll be doing Dave Brubeck and the Pizzarelli Brothers in the Spring. And on January twenty first the Lincoln Middle people are coming out right here and we’ll be having an evening with Charlie Haden.

Brian Wilson is on January fifteenth and that is our Flagship program for our A night With series; Charlie Haden on January 21st kicks off our Jazz Talks sequence.

We’ll also have Masterminds Behind The Grammy’s which is a panel discussion with Ken Ehrlich, Neil Portnow and all the men who put collectively the Grammy Awards and will probably be moderated by our personal Bob Santelli. We’re additionally having a Retrospective Panel moderated by Jimmy Jams. Members might be in a position to come back to that. The public will probably be ready to come back to that and share the Grammy Awards with all people.

Museum Membership starts at $40 per year.
Admission for adults is $14.Ninety five, Youth are $10.Ninety five, Seniors $eleven.95, Free for members and youngsters underneath 5.